SEHRLANDIYA: A HEROIC MISSION
Keywords:
Sehrlandiya, character design, cultural heritage, 3D modeling, visual semiotics, digital engineering national identity, marvel aesthetic, cinematic lighting, Uzbek cinema, functional armorAbstract
This article provides a comprehensive design analysis of the groundbreaking Uzbek animated feature "Sehrlandiya," focusing on the innovative synthesis of national cultural heritage and modern digital animation standards. Through a professional designer’s lens and an interview with Creative Director Shukhrat Asayev, the research explores the technical "re-engineering" of medieval Central Asian armor into functional 3D assets, a process termed "Digital Blacksmithing." The study examines the application of the "Marvel Formula"—global visual silhouettes and cinematic lighting—to historical Uzbek figures to enhance their appeal to a modern, global audience. Furthermore, the paper analyzes the emotional resonance of the film, specifically how high-quality visual effects and traditional musical motifs (such as the alla) create a visceral experience for the viewer. The findings suggest that "Sehrlandiya" sets a new benchmark for national animation by successfully balancing high-tech 3D logic with deep cultural semiotics, proving that historical identity can be effectively revitalized through contemporary visual storytelling.


